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Tanglewood Tales for Girls and Boys by  Nathaniel Hawthorne


 

 

Front Matter



[Book Cover]



[Frontispiece]

THESEUS SLAYING THE MINOTAUR



[Title Page]



[Copyright Page]



[Contents and List of Illustrations Page 1 of 2]



[Contents and List of Illustrations Page 2 of 2]

[Illustration]

TANGLEWOOD TALES

[1] HAWTHORNE'S first "Wonder-Book" was so well received, that he was induced to undertake another within eighteen months from the time of finishing the first. To this new volume, made up in the same way of Greek myths retold with a modern, free, half realistic and half fanciful tone, he gave the name "Tanglewood Tales." The previous series having been ostensibly narrated by one Eustace Bright, among the hills of Berkshire, these additional stories in the like vein were represented as having been brought by Eustace Bright to Hawthorne, at his new home, The Wayside, in Concord.

This place Hawthorne had bought and moved into, early in the summer of 1852, after finishing "The Blithedale Romance" at West Newton, during the preceding winter. Some slight references to it are made in the Introduction headed "The Wayside," where "my predecessor's little ruined, rustic summer-house, midway on the hill-side," is mentioned. The predecessor was Mr. A. Bronson Alcott, one of the so-called Transcendental school of thinkers, the intimate friend of Ralph Waldo Emerson, and the father of Miss Louisa M. Alcott, since become one of the most popular of writers for children. This summer-house, therefore, becomes to the mind a sort of station between the new generation and the old, a link between Hawthorne in his capacity of tale-teller to the little folks of America, and the woman who, at that time a child, has in later years assembled from the young people a vast audience of her own. The romancer speaks of this rustic structure in a letter to George William Curtis, dated July 14, 1852:—

"Mr. Alcott expended a good deal of taste and some money (to no great purpose) in forming the hill-side behind the house into terraces, and building arbors and summer-houses of rough stems and branches and trees, on a system of his own. They must have been very pretty in their day, and are so still, although much decayed, and shattered more and more by every breeze that blows."

No vestige of this sylvan edifice now remains.

Prior to his return to Concord and installation at The Wayside, Hawthorne had contemplated giving up that humble abode at Lenox, which, in a letter to George William Curtis, he had called "the ugliest little old red farm-house you ever saw," and renting the country-seat of Mrs. Fanny Kemble, in the same vicinity. But as I have mentioned in the Introductory Note prefixed to the "Wonder-Book," he had already begun to languish somewhat in the inland air of the Berkshire Valley; added to which was the not altogether favorable influence of the striking scenery in that picturesque mountain-district. In October, 1851, he wrote from Lenox to a friend: "We shall leave here (with much joy) on the first day of December."

The sojourn at West Newton, however, served only to occupy the interval between Lenox and his settlement at Concord. After he had arrived at the latter place, he wrote to Horatio Bridge (October 13, 1852): "In a day or two I intend to begin a new romance, which, if possible, I intend to make more genial than the last." The "last" was "The Blithedale Romance;" but of the newly projected work here mentioned we find no further trace, and it is impossible to conjecture what scheme for a fresh work of fiction was then occupying the author's mind. The "campaign" Life of Franklin Pierce had already been produced after his coming to The Wayside, and he was apparently free to turn his attention to this projected romance; but instead of pursuing the design, whatever it may have been, he took up the composition of the "Tanglewood Tales," which were completed in the early spring of 1853. On the 13th of March, that year, he wrote the preface for them. Ten days later his appointment to the consulate at Liverpool by President Pierce was confirmed by the Senate of the United States.

G. P. L.     

THE WAYSIDE

INTRODUCTORY

[3] A SHORT time ago, I was favored with a flying visit from my young friend Eustace Bright, whom I had not before met with since quitting the breezy mountains of Berkshire. It being the winter vacation at his college, Eustace was allowing himself a little relaxation, in the hope, he told me, of repairing the inroads which severe application to study had made upon his health; and I was happy to conclude, from the excellent physical condition in which I saw him, that the remedy had already been attended with very desirable success. He had now run up from Boston by the noon train, partly impelled by the friendly regard with which he is pleased to honor me, and partly, as I soon found, on a matter of literary business.

It delighted me to receive Mr. Bright, for the first time, under a roof, though a very humble one, which I could really call my own. Nor did I fail (as is the custom of landed proprietors all about the world) to parade the poor fellow up and down over my half a dozen acres; secretly rejoicing, nevertheless, that the disarray of the inclement season, and particularly the six inches of snow then upon the ground, prevented him from observing the ragged neglect of soil and shrubbery into which the place had lapsed. It was idle, however, to imagine that an airy guest from Monument Mountain, Bald-Summit, and old Graylock, shaggy with primeval forests, could see anything to admire in my poor little hill-side, with its growth of frail and insect-eaten locust-trees. Eustace very frankly called the view from my hill-top tame; and so, no doubt, it was, after rough, broken, rugged, headlong Berkshire, and especially the northern parts of the county, with which his college residence had made him familiar. But to me there is a peculiar, quiet charm in these broad meadows and gentle eminences. They are better than mountains, because they do not stamp and stereotype themselves into the brain, and thus grow wearisome with the same strong impression, repeated [4] day after day. A few summer weeks among mountains, a lifetime among green meadows and placid slopes, with outlines forever new, because continually fading out of the memory,—such would be my sober choice.

I doubt whether Eustace did not internally pronounce the whole thing a bore, until I led him to my predecessor's little ruined, rustic summer-house, midway on the hill-side. It is a mere skeleton of slender, decaying tree-trunks, with neither walls nor a roof; nothing but a tracery of branches and twigs, which the next wintry blast will be very likely to scatter in fragments along the terrace. It looks, and is, as evanescent as a dream; and yet, in its rustic network of boughs, it has somehow enclosed a hint of spiritual beauty, and has become a true emblem of the subtile and ethereal mind that planned it. I made Eustace Bright sit down on a snow-bank, which had heaped itself over the mossy seat, and gazing through the arched windows opposite, he acknowledged that the scene at once grew picturesque.

"Simple as it looks," said he, "this little edifice seems to be the work of magic. It is full of suggestiveness, and, in its way, is as good as a cathedral. Ah, it would be just the spot for one to sit in, of a summer afternoon, and tell the children some more of those wild stories from the classic myths!"

"It would, indeed," answered I. "The summer-house itself, so airy and so broken, is like one of those old tales, imperfectly remembered; and these living branches of the Baldwin apple-tree, thrusting so rudely in, are like your unwarrantable interpolations. But, by the bye, have you added any more legends to the series, since the publication of the Wonder-Book?"

"Many more," said Eustace; "Primrose, Periwinkle, and the rest of them, allow me no comfort of my life unless, I tell them a story every day or two. I have run away from home partly to escape the importunity of those little wretches! But I have written out six of the new stories, and have brought them for you to look over."

"Are they as good as the first?" I inquired.

"Better chosen, and better handled," replied Eustace Bright. "You will say so when you read them."

"Possibly not," I remarked. "I know, from my own experience, that an author's last work is always his best one, in his own esti- [5] mate, until it quite loses the red heat of composition. After that, it falls into its true place, quietly enough. But let us adjourn to my study, and examine these new stories. It would hardly be doing yourself justice, were you to bring me acquainted with them, sitting here on this snow- bank!"

So we descended the hill to my small, old cottage, and shut ourselves up in the southeastern room, where the sunshine comes in, warmly and brightly, through the better half of a winter's day. Eustace put his bundle of manuscript into my hands; and I skimmed through it pretty rapidly, trying to find out its merits and demerits by the touch of my fingers, as a veteran story-teller ought to know how to do.

It will be remembered that Mr. Bright condescended to avail himself of my literary experience by constituting me editor of the Wonder-Book. As he had no reason to complain of the reception of that erudite work by the public, he was now disposed to retain me in a similar position with respect to the present volume, which he entitled TANGLEWOOD TALES. Not, as Eustace hinted, that there was any real necessity for my services as introducer, inasmuch as his own name had become established, in some good degree of favor, with the literary world. But the connection with myself, he was kind enough to say, had been highly agreeable; nor was he by any means desirous, as most people are, of kicking away the ladder that had perhaps helped him to reach his present elevation. My young friend was willing, in short, that the fresh verdure of his growing reputation should spread over my straggling and half-naked boughs; even as I have sometimes thought of training a vine, with its broad leafiness, and purple fruitage, over the worm-eaten posts and rafters of the rustic summer-house. I was not insensible to the advantages of his proposal, and gladly assured him of my acceptance.

Merely from the titles of the stories I saw at once that the subjects were not less rich than those of the former volume; nor did I at all doubt that Mr. Bright's audacity (so far as that endowment might avail) had enabled him to take full advantage of whatever capabilities they offered. Yet, in spite of my experience of his free way of handling them, I did not quite see, I confess, how he could have obviated all the difficulties in the way of rendering them presentable to children. These old legends, so brimming over with [6] everything that is most abhorrent to our christianized moral sense,—some of them so hideous, others so melancholy and miserable, amid which the Greek tragedians sought their themes, and moulded them into the sternest forms of grief that ever the world saw; was such material the stuff that children's playthings should be made of! How were they to be purified? How was the blessed sunshine to be thrown into them?

But Eustace told me that these myths were the most singular things in the world, and that he was invariably astonished, whenever he began to relate one, by the readiness with which it adapted itself to the childish purity of his auditors. The objectionable characteristics seem to be a parasitical growth, having no essential connection with the original fable. They fall away, and are thought of no more, the instant he puts his imagination in sympathy with the innocent little circle, whose wide-open eyes are fixed so eagerly upon him. Thus the stories (not by any strained effort of the narrator's, but in harmony with their inherent germ) transform themselves, and reassume the shapes which they might be supposed to possess in the pure childhood of the world. When the first pœt or romancer told these marvellous legends (such is Eustace Bright's opinion), it was still the Golden Age. Evil had never yet existed; and sorrow, misfortune, crime, were mere shadows which the mind fancifully created for itself, as a shelter against too sunny realities; or, at most, but prophetic dreams, to which the dreamer himself did not yield a waking credence. Children are now the only representatives of the men and women of that happy era; and therefore it is that we must raise the intellect and fancy to the level of childhood, in order to re-create the original myths.

I let the youthful author talk as much and as extravagantly as he pleased, and was glad to see him commencing life with such confidence in himself and his performances. A few years will do all that is necessary towards showing him the truth in both respects. Meanwhile, it is but right to say, he does not really appear to have overcome the moral objections against these fables, although at the expense of such liberties with their structure as must be left to plead their own excuse, without any help from me. Indeed, except that there was a necessity for it,—and that the inner life of the legends cannot be come at save by making them entirely one's own property,—there is no defence to be made.

[7] Eustace informed me that he had told his stories to the children in various situations,—in the woods, on the shore of the lake, in the dell of Shadow Brook, in the play-room, at Tanglewood fireside, and in a magnificent palace of snow, with ice windows, which he helped his little friends to build. His auditors were even more delighted with the contents of the present volume than with the specimens which have already been given to the world. The classically learned Mr. Pringle, too, had listened to two or three of the tales, and censured them even more bitterly than he did THE THREE GOLDEN APPLES; so that, what with praise, and what with criticism, Eustace Bright thinks that there is good hope of at least as much success with the public as in the case of the Wonder-Book.

I made all sorts of inquiries about the children, not doubting that there would be great eagerness to hear of their welfare, among some good little folks who have written to me, to ask for another volume of myths. They are all, I am happy to say (unless we except Clover), in excellent health and spirits. Primrose is now almost a young lady, and, Eustace tells me, is just as saucy as ever. She pretends to consider herself quite beyond the age to be interested by such idle stories as these; but, for all that, whenever a story is to be told, Primrose never fails to be one of the listeners, and to make fun of it when finished. Periwinkle is very much grown, and is expected to shut up her baby-house and throw away her doll in a month or two more. Sweet Fern has learned to read and write, and has put on a jacket and pair of pantaloons,—all of which improvements I am sorry for. Squash-Blossom, Blue Eye, Plantain, and Buttercup have had the scarlet fever, but came easily through it. Huckleberry, Milkweed, and Dandelion were attacked with the whooping-cough, but bore it bravely, and kept out of doors whenever the sun shone. Cowslip, during the autumn, had either the measles, or some eruption that looked very much like it, but was hardly sick a day. Poor Clover has been a good deal troubled with her second teeth, which have made her meagre in aspect and rather fractious in temper; nor, even when she smiles, is the matter much mended, since it discloses a gap just within her lips, almost as wide as the barn door. But all this will pass over, and it is predicted that she will turn out a very pretty girl.

As for Mr. Bright himself, he is now in his senior year at Wil- [8] liams College, and has a prospect of graduating with some degree of honorable distinction at the next Commencement. In his oration for the bachelor's degree, he gives me to understand, he will treat of the classical myths, viewed in the aspect of baby stories, and has a great mind to discuss the expediency of using up the whole of ancient history for the same purpose. I do not know what he means to do with himself after leaving college, but trust that, by dabbling so early with the dangerous and seductive business of authorship, he will not bc tempted to become an author by profession. If so, I shall be very sorry for the little that I have had to do with the matter, in encouraging these first beginnings.

I wish there were any likelihood of my soon seeing Primrose, Periwinkle, Dandelion, Sweet Fern, Clover Plantain, Huckleberry, Milkweed, Cowslip, Buttercup, Blue Eye, and Squash-Blossom again. But as I do not know when I shall revisit Tanglewood, and as Eustace Bright probably will not ask me to edit a third Wonder-Book, the public of little folks must not expect to hear any more about those dear children from me. Heaven bless them, and everybody else, whether grown people or children!

THE WAYSIDE, CONCORD, MASS.,
               March  13, 1853.


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