| English Literature for Boys and Girls|
|by H. E. Marshall|
|Delightful introduction to the writers of English literature whose works hold the greatest appeal for the youthful reader. The life and personality of each author is given in outline, with enough material quoted from his works to give an idea of what he wrote. For most authors suggestions for further reading are included. The outline of historical background enables the young reader to grasp the connection between the literature and the life of the time. Excellent as a companion to a chronological study of English literature. Ages 12-15 |
 WHILE Burns was weaving his wonderful songs among the Lowland
hills of Scotland, another lover of nature was telling of placid
English life, of simple everyday doings, in a quiet little
country town in England. This man was William Cowper.
Cowper was the son of a clergyman. He was born in 1731 and
became a barrister, but it seemed a profession for which he was
little fitted. He was shy and morbidly religious, and he also
liked literature much better than law. Still he continued his
way of life until, when he was thirty-two, he was offered a post
as Clerk of the Journals of the House of Lords. He wished to
accept the post, but was told he must stand an examination at the
bar of the House of Lords.
This was more than his nervous sensitive nature could bear.
Rather than face the trial he decided to die. Three times he
tried to kill himself. Three times he failed. Then the darkness
of madness closed in upon him. Religious terrors seized him, and
for many months he suffered agonies of mind. But at length his
tortured brain found rest, and he became once more a sane man.
Then he made up his mind to leave London, and all the excitements
of a life for which he was not fit, and after a few changes here
and there he settled down to a peaceful life with a clergyman and
his wife, named Unwin. And when after two years Mr. Unwin died,
Cowper still lived with his widow. With her he moved to Olney in
 Buckinghamshire. It was here that, together with the curate,
John Newton, Cowper wrote the Olney hymns, many of which are
still well loved to-day. Perhaps one of the best is that
"God moves in a mysterious way,
His wonders to perform;
He plants His footsteps in the sea,
And rides upon the storm."
It was written when Cowper felt again the darkness of insanity
closing in upon him. Once again he tried to end his life, but
again the storm passed.
Cowper was already a man of nearly fifty when these hymns first
appeared. Shortly afterwards he published another volume of
poems in the style of Pope.
It was after this that Cowper found another friend who brought
some brightness into his life. Lady Austen, a widow, took a
house near Cowper and Mrs. Unwin, and became a third in their
friendship. It was she who told Cowper the story of John Gilpin.
The story tickled his fancy so that he woke in the night with
laughter over it. He decided to make a ballad of the story, and
the next day the ballad was finished. I think I need hardly give
you any quotation here. You all know that—
"John Gilpin was a citizen
Of credit and reknown,
A train-band captain eke was he
Of famous London town."
And you have heard his adventures on the anniversary of his
John Gilpin was first published in a magazine, and there it was
seen by an actor famous in his day, who took it for a recitation.
It at once became a success, and thousands of copies were sold.
It was Lady Austen, too, who urged Cowper to his
 greatest work,
The Task. She wanted him to try blank verse, but he objected
that he had nothing to write about. "You can write upon any
subject," replied Lady Austen, "write upon the sofa."
So Cowper accepted the task thus set for him, and began to write.
The first book of The Task is called The Sofa, and through all
the six books we follow the course of his simple country life.
It is the epic of simplicity, at once pathetic and playful. Its
tuneful, easy blank verse never rises to the grandeur of
Milton's, yet there are fine passages in it. Though Cowper lived
a retired and uneventful life, the great questions of his day
found an echo in his heart. Canada had been won and the American
States lost when he wrote—
"England, with all thy faults, I love thee still—
My Country! and, while yet a nook is left
Where English minds and manners may be found,
Shall be constrained to love thee.
Time was when it was praise and boast enough
In every clime, and travel where we might,
That we were born her children; praise enough
To fill the ambition of a private man,
That Chatham's language was his mother tongue,
And Wolfe's great name compatriot with his own.
Farewell those honours, and farewell with them
The hope of such hereafter! they have fallen
Each in his field of glory: one in arms,
And one in council—Wolfe upon the lap
Of smiling Victory that moment won,
And Chatham heart-sick of his country's shame
They made us many soldiers. Chatham, still
Consulting England's happiness at home,
Secured it by an unforgiving frown,
If any wronged her. Wolfe, where'er he fought,
Put so much of his heart into his act,
That his example had a magnet's force,
And all were swift to follow where all loved."
 These lines are from the second book of The Task called The
Timepiece. The third is called The Garden, the fourth The Winter
Evening. There we have the well-known picture of a quiet evening
by the cozy fireside. The post boy has come "with spattered
boots, strapped waist, and frozen locks." He has brought letters
and the newspaper—
"Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful evening in."
The poem ends with two books called The Winter Morning Walk and
The Winter Walk at Noon. Though not grand, The Task is worth
reading. It is, too, an easily read, and easily understood poem,
and through it all we feel the love of nature, the return to
romance and simplicity. In the last book we see Cowper's love of
animals. There he sings, "If not the virtues, yet the worth, of
Cowper loved animals tenderly and understood them in a wonderful
manner. He tamed some hares and made them famous in his verse.
And when he felt madness coming upon him he often found relief in
his interest in these pets. One of his poems tells how Cowper
scolded his spaniel Beau for killing a little baby bird "not
because you were hungry," says the poet, "but out of
naughtiness." Here is Beau's reply—
"Sir, when I flew to seize the bird
In spite of your command,
A louder voice than yours I heard,
And harder to withstand.
"You cried 'Forbear!;—but in my breast
A mightier cried 'Proceed!'—
'Twas nature, sir, whose strong behest
Impelled me to the deed.
"Yet much as nature I respect,
I ventured once to break
(As you perhaps may recollect)
Her precept for your sake;
"And when your linnet on a day,
Passing his prison door,
Had fluttered all his strength away
And panting pressed the floor,
"Well knowing him a sacred thing
Not destined to my tooth,
I only kissed his ruffled wing
And licked the feathers smooth.
"Let my obedience then excuse
My disobedience now,
Nor some reproof yourself refuse
From your aggrieved Bow-wow;
"If killing birds be such a crime
(Which I can hardly see),
What think you, sir, of killing Time
With verse addressed to me?"
As Cowper's life went on, the terrible lapses into insanity
became more frequent, but his sweet and kindly temper won him
many friends, and he still wrote a great deal. And among the
many things he wrote, his letters to his friends were not the
least interesting. They are among the best letters in our
Perhaps Cowper's greatest accomplishment, though not his greatest
work, was a translation of Homer. He had never considered Pope's
Homer good, and he wished to leave to the world a better.
Cowper's version was published in 1791, and he fondly believed
that it would take the place of Pope's. But although Cowper's
may be more correct, it is plain and dry, and while Pope's is
still read and remembered, Cowper's is forgotten.
Indeed, that Cowper is remembered at all is due more to his
shorter poems such as Boadicea and The Wreck
 of the Royal George,
and chiefly, perhaps, to John Gilpin, which in its own way is a
treasure that we would not be without. Other of his shorter
poems are full of a simple pathos and gentle humor. The last he
wrote was called The Castaway, and the verse with which it ends
describes not unfittingly the close of his own life. For his
mind sank ever deeper into the shadow of madness until he died in
"No voice divine the storm allayed,
No light propitious shone;
When, snatched from all effectual aid,
We perished, each alone:
But I beneath a rougher sea,
And whelmed in deeper gulfs than he."
Cowper was never a power in our literature, but he was a
forerunner, "the forerunner of the great Restoration of our
And unlike most forerunners he was popular in his
own day. And although it is faint, like the scent of forgotten
rose leaves, his poetry still keeps a charm and sweetness for
those who will look for it.
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